A History of Video Game Music

September 3rd, 2010

Whenever you are watching a movie or playing a video game, you are likely to find that there is an accompanying music playing in the background. This is referred to as a soundtrack. This is the narrower meaning of the name ’soundtrack’.

A soundtrack is not limited to music only. The other aspects like voiceovers, character’s dialogue and sound effects are also part and parcel of the soundtrack.

You may choose to come up with a track just for a movie feature or decide to take an old track and use it since it relates to the movie. You do not always have to be the composer. You can get authority to use the music.

Since a movie does not play a whole song in the motion picture, a soundtrack album is the best way to listen to the whole piece of music.

The single track “I will always love you” by Whitney Houston is so far the biggest mover in terms of sales, since it was used in the movie “The body guard”.

Can you picture buying a fighter game for your favorite console and once you get started with the action packed game, you suddenly realize that there is no soundtrack? This was the case before the eighties brought a turn around.

These days, you can get music used in a video game and all the sound effects from CDs available on the shelves today. These sound more realistic compared to decades ago when video games came without sound effects. Nintendo can be credited as having a composer who played a key part in the introduction of soundtracks to video games.

The latest subject in the soundtracks industry is the idea of having soundtracks for books. These you get to download and listen to while you read through that fantasy book. So far, they are only common in the internet. Since the idea is still in its rudimentary stages, it is doubtful that you will get a CD in stores dedicated to these.

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Watch Dear John Free Online Movie Stream HD

September 2nd, 2010

www.freemovies2010.com ————————Click this link to watch Dear John (2010) Movie with Channing Tatum. John as a young man struggled with finding the balance between himself and his father. While on leave from the Army, he meets Savannah. She goes to UNC-Chapel Hill and is in Wilmington, North Carolina to work for Habitat for Humanity. They become quick friends after John dives into deep ocean water to retrieve her fallen purse. At a bonfire, with wild college students, John meets Savannah’s life-long friend Tim Wheddon. John quickly learns how inviting and mature Savannah and Tim really are. After their initial meeting, John and Savannah meet again at the beach where he teaches her to surf. Their friendship quickly blooms into love. They make a promise that when they are apart, they will always pause and look up during a full moon and think of each other. At the end of John’s leave, Savannah meets him at the pier. She tells him that she thinks John’s cold father has Asperger’s syndrome, a developmental disorder, which would explain why John’s dad is distant, has the same exact schedule and conversations everyday, and is only interested in his gigantic coin collection. John becomes angry and is in disbelief that anything is wrong with his father. After having this conversation, John (still angry) accidentally punches Tim in the nose, breaking it. Savannah and Tim forgive John for what he did. (John eventually reads the book and begins examining his father’s

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Gibson Les Paul Standard Review – Are the Changes Worth It?

August 27th, 2010


Image : http://www.flickr.com

The new Gibson Les Paul Standard is a terrific guitar in many ways, and we sense the spirit of classic Les Pauls here.

Along with the Fender Stratocaster, the Gibson Les Paul is synonymous with rock & roll and blues guitar. Though the shape and thick, chunky sound have stayed constant throughout the years, the particulars, from pickup selection to neck design, have been modified to reflect Gibson’s continued desire to innovate.

In 2008, Gibson introduced a Gibson Les Paul Standard that contained more than its fair share of alterations, some welcome and some not. Let’s take a look at the guitar’s construction details more closely.

Features

The new Les Paul Standard now includes Strap Locks (Dunlop), chambered body, Grover Locking Tuners, TonePros bridge/tailpiece, Neutrick output jack, and a setup via Plek.

The body wood is mahogany with a figured maple top. The scale length is 24-3/4″ with a mahogany neck and rosewood fretboard. The pickups are Gibson’s own Burstbucker Pros. A quality hardshell case is standard equipment.

Performance

We didn’t ascertain any lack in tone due to the chambered body, and played acoustically, the Les Paul Standard had a well-balanced, deep tone. If you’ve ever gigged with a Les Paul for any extended period of time, you’ll prize the lighter weight.

Since I ordinarily substitute tune-o-matic style bridges with TonePros, the upgraded bridge and tailpiece are a welcome addition, as is the Plek setup, which resulted in a solid playing and sounding guitar right out of the box.

We did have to make a small truss rod adjustment, but for an instrument that was sent halfway across the country, that’s regular procedure. For the record, though, this guitar was ready to take to a gig straight out of the box. Not bad.

The finish on the revised Standard is as superb as ever. We went over a Heritage Cherry Sunburst finish that had just a gorgeous flame. We found no defects in either finish or fit, and the fret dressing and setup was as good as we’ve ever seen from a production instrument. Gibson also opted to exclude the pickguard from this model, though you could easily install one if you miss it. The pickguard is included, however.

We were intrigued when we found that Gibson built this series using an asymmetrical neck profile; however, we have to say that we’re glad they did. The profile sports a thicker bass side and a thinner treble side.

Think of it as the best of a 50’s and 60’s profile in one neck design. The fretwork and factory setup were the best we’d ever seen from an out-of-the-box Gibson.

It’s hard for us not to think of a LP without thinking of the sound of a Les Paul cranked up through a Marshall, so we ran the Gibson through a reissue Marshall JCM800 half-stack. We liked what we found, though you do need to know that the chambered body gives the guitar something of a ES-335 sound when cranked. Think old Clapton.

The Burstbucker pickups seemed to be a pretty nice fit, since they are aggressive and dark by nature. There are unquestionably some definitive Gibson tones to be found here, though the chambered body/Burstbucker combination has its own unique flavor. To each his own. We liked them.

We have to say, though, that there were a couple of things we just didn’t care for. Gibson chose to include Neutrik locking input jacks, for example. Some individuals love them, but we’re not fans. Still, the Neutrik jacks are superior quality, so we appreciate that at least.

Same goes for the PCB mounted volume and tone pots. In fact, all pots, the pickups, the selector switch, and the jack are all connected to a main PCB board via pluggable connectors. While it’s cool in a way, it could also greatly hinder switching a pot or swapping pickups. We were left rubbing our heads on this one.

The Bottom Line

Still, these concerns are minor. Overall, the new Gibson Les Paul Standard is a terrific guitar in many ways, and we sense the spirit of classic Les Pauls here. Gibson also now makes a “Les Paul Traditional” that might appeal to individuals who want a more conservative Les Paul. Obviously, Gibson has something for everyone in their Les Paul series.

Name of Gear: Gibson Les Paul Standard Plus

List Price: $3,899.00

Manufacturer Info: Gibson Musical Instruments; gibson.com

Pros: Excellent setup; good classic LP sounds; nice feel

Cons: PCB mounted pots

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GIBSON FLAME TOP 335 AMERICANA.wmv

August 26th, 2010

questa chitarra è un autentica 335 flame top di marca gibson. la musica che accompagna il video è dei GINGER FASHION. il propietario della chitarra è il cantante,chitarrista ed autore della canzone.

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SLIDE GUITAR JAM

August 24th, 2010

A LITTLE JAM ON E TUNING

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Semi-Acoustic Guitars: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking

August 22nd, 2010

Semi-Acoustic Guitars: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking

Semi-Acoustic Guitars: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking Feature

Semi-Acoustic Guitars: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking Overview

Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking, Gretsch 6128, Epiphone Sheraton, Fender Coronado, Gibson Es-175, Gibson Byrdland, Gibson L-5, Hagström Jimmy, Gibson Es-150, Gibson Es-135, Yamaha Sa2200, Gretsch 6120, Gibson Es-125, Gibson Es-250, Epiphone Joe Pass Emperor Ii, Gibson Es-137, Epiphone Dot, Nick Valensi Riviera P-94, Gibson L-4, Gibson Citation, Gibson Es-355. Excerpt: Epiphone Casino The Epiphone Casino is a thinline hollow body electric guitar manufactured by Epiphone , a branch of Gibson . It is Epiphone’s version of the Gibson ES-330, but because of its association with guitarists such as John Lennon , Paul McCartney and Noel Gallagher , the Casino may be better known than the ES-330 Construction The Casino is a hollow-bodied guitar with two Gibson P-90 pick-ups, and although generally come with a trapezoid tailpiece, often a Bigsby vibrato tailpiece is used in its place (either as a factory-direct feature and as an aftermarket upgrade). Unlike semi-hollow body guitars such as the Gibson ES-335 , which have a center block to promote sustain and reduce feedback , the Casino and the Gibson ES-330 are true hollow-bodied guitars. This makes it lighter and louder when played without an amplifier, but much more prone to feedback than semi-hollow or solid-body electrics. Early versions of the Casino had a spruce top. Through 1970, the Casino headstock was set at a 17-degree angle and the top was made of five laminated layers of maple, birch, maple, birch, and maple . With the exception of the John Lennon models, subsequent Casinos have been made with 14-degree headstock angle with five layer all maple laminated tops . Current versions have a laminated maple top, sides, and back, and a cornshell neck. …

Semi-Acoustic Guitars: Gibson Es-335, Gretsch White Falcon, Fender Starcaster, Rickenbacker 300 Series, Epiphone Casino, Hagström Viking Specifications

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Jan Schwarte Slow Blues with Gibson ES 335 (part3) 17 years old

August 21st, 2010

Jan Schwarte 17 Jahre. Slow Blues with Gibson ES 335

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